- MULTICHANNEL OUTPUT PLOGUE BIDULE PDF
- MULTICHANNEL OUTPUT PLOGUE BIDULE UPDATE
- MULTICHANNEL OUTPUT PLOGUE BIDULE PRO
- MULTICHANNEL OUTPUT PLOGUE BIDULE OFFLINE
- MULTICHANNEL OUTPUT PLOGUE BIDULE FREE
I'll also list an overview of any changes.
MULTICHANNEL OUTPUT PLOGUE BIDULE UPDATE
If another update occurs, I'll delete the existing update message, and post a new one. If you have any suggestions for changes, additions, etc., please send them to UrsaMtl.īecause the system does not display an unread message icon when an existing message is updated, I'll post a message at the end of the thread whenever there are updates to the guide. If you have problems with this server, try.
MULTICHANNEL OUTPUT PLOGUE BIDULE PDF
Most of the software and PDF versions of most guides with step-by-step instructions are available at Daphy and server: As time goes on, I'll edit the messages to update links to related messages or documents as well as to add new information.įor an excellent visual accompanyment, I invite readers to check our Daphy's excellent Shockwave animation of the basic process ().
The basic step-by-step structure is presented in the following messages. Individual steps may vary from one approach to another, but through time, some basic common steps have become clear. This thread presents instructions, tips and tricks for getting the most out of these methods.
MULTICHANNEL OUTPUT PLOGUE BIDULE FREE
Many of the methods posted in this forum for converting stereo to surround use a software package called Plogue Bidule, available as a free beta version from. What starts as a great idea to streamline workflow becomes the complete opposite.Step-by-Step Instructions for Plogue Bidule-based Stereo-to-Surround methods That being said I would love to know if you have any luck with it! What starts as a great idea to streamline workflow becomes the complete opposite.
MULTICHANNEL OUTPUT PLOGUE BIDULE OFFLINE
Maybe just set up a stemming system within Logic and then export your audio offline out of Logic ready for mixing as mentioned by other folks here. Hope that helps in some way, if only to just put you off the idea altogether due to the excessively complicated work arounds needed, not to mention care taking of 3 apps all working at the same time. Though you could also 'Spot To Time Code' after printing the audio in, that may be a help though I havnt tried it. Its just the printing of audio when it gets tricky. Monitoring through PT is fine with reasonable buffer settings on both Logic and PT. SO whether you are PT Native or HD this can work.
MULTICHANNEL OUTPUT PLOGUE BIDULE PRO
This set up is quite 'sneaky' in that is gets around the PT Native 32 channel IO limit because the audio is flowing through Vienna and not the Pro Tools IO. If thats not a prob for you then this set up could be your answer without having to spend bank on a more streamlined system (Rednet/Madi etc) So you have to manually measure how far the audio if off by and then move it back. This is being caused by VEP not knowing what the hell is going on Delay Comp wise. If you are just using for stems then probably will be fine but if you require further work to be done in PT you will see that the audio is behind by quite a lot. Sounds too good to be true right!? Well the problem comes when you 'print' into PT. You should be able to monitor VEP audio through Pro Tools but be sequencing in Logic!! Put the pro tools audio tracks into Input and hey presto! You now should be able to trigger Kontakt via VEP from the Logic midi channels. Set up 8 external midi tracks and have them send out on the IAC Port (or IPmidi port if using a slave) channels 1 through 8 Set the Outputs of the kontakts in VEP starting from 3/4 through to 17/18 so they line up with Pro Tools input channels.ġ. Make sure the Kontakts are all receiving in OMNIĤ. Set the midi in for each Kontakt to the IAC Bus (or IPmidi port if using a slave) and then channels 1 through 8. Make sure external midi mode is active and the correct midi ports are slected (either IAC Bus of IPmidi), this will require a restart of VEP if you havnt done so already.ģ. Load VEP on your slave or local machine and then connect to that instance in Pro Tools as normal.ġ. Set the inputs of these tracks to receive VEP outputs 3/4 ascending through to 17/18Ĥ. then as many audio tracks as you need, lets say 16 stereo.ģ. Create an Aux track (to host the VEP plug)Ģ. Turn on IAC Bus to online (for local slave only)ġ.
But below setup still applies.Īs long as you can set your template up so that all sound sources are coming from VEP (meaning no Logic specific synths etc)ġ. Ok ill chime in here seeing as though Ive been dealing with a similar issue all week see my post here.īasically it can be done using a combo of Pro Tols, Logic and VEP running in server mode but with external midi on and setting up the IAC Bus (If your Logic machine is local) If your Logic machine is on a slave, the process works the same except instead of using the IAC Bus you have to use a midi over lan app like IPmidi.
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